I loved the new Star Trek. Let's just get that out of the way at the beginning, then continue.
I am a huge Trek fan, from way back (not WAY way back, like the 60's way back, but way back, like from the 80's). I used to watch Original Series reruns on TV as a kid (in the 70's), I went to see the first Star Trek movie in the theater (not that I really remember it, but my parents have reminded me), then stopped watching Star Trek altogether when Wrath of Khan came out because the little brain-worm-things scared the shit out of me. I got back into it when Next Gen started, and just went nuts over it. You ask me how dilithium crystals work in a warp drive, and I can probably give you an explanation without doing any research.
There are tons of reasons why I enjoyed the original series (and Next Gen, and DS9, and occasionally Enterprise), and I'd love to tell you that it was because of the hopeful and optimistic vision of the future, and the way it portrayed humanity as having overcome greed and prejudice and having dedicated themselves as a race to bettering themselves and fighting the just and righteous fight for freedom and cooperation. But really, I loved it because of the characters. The sometimes quirky, sometimes absurd, sometimes hyper-real, sometimes bizarrely unrealistic characters and relationships that populated the show. I loved it because of the stories, and the campy humor, and the glorious over-acting. And, I loved it because it sometimes asked deep philosophical questions, and other times it paraded around in front of you wearing a Nazi uniform. I don't think I really grasped the historical, philosophical, and sociological ramifications of the Trek universe until later.
But, we're here to talk about the new Star Trek movie, aren't we?
Taken on its own merits, I think this is a phenomenal movie. There are issues of science and issues of execution of course, but overall it is exciting, and fun, and touching, and very Star Trek in lots of the right ways.
I think Chris Pine made a great Kirk. All the characters were written (and directed, I assume) somewhat… over-the-top, and very earnest. I felt that, though Pine also suffered this, he had a presence and subtlety that really befitted the character, and that I can see serving him very well in subsequent outings. There was at least one scene (and I've been trying to remember exactly where it occurred, but nevertheless) where I remember thinking to myself… "There's Kirk. That's Kirk. That was right on." And I think it was just a single word, or very short line, delivered with a certain mixture of joy and self-awareness that I think captured the spirit of "The Kirk," and channeled a bit of the old Shatner magic. Suffice it to say, I enjoyed this new Kirk.
There were certain Kirk moments from a story/plot perspective and from a characterization perspective that I didn't like, but those would be difficult to elucidate without spoilage.
Quinto's Spock also had a lot to offer. Maybe he played it a little too close to the chest at times, and maybe he played it a little too "smirky" at times, but neither of those are entirely un-Spock-like qualities. I thought the father/son and the mother/son things were well written and well played, but I did feel that this Spock, somewhat interestingly, was representative of the Spock we came to understand over the last ~40 years, rather than the Spock we met in the first Original Series episode. Our Spock started out (well, after Where No Man Has Gone Before, anyway) as an emotionless, purely logical, and imperceptibly conflicted character who had very much chosen his Vulcan side over his Human one. That was not the Spock we got in this movie. In and of itself, that's not a bad thing, and I did really enjoy this Spock, but I also felt that this new Spock didn't represent where our Spock would have been at this point in his life. It didn't kill my enjoyment of the character, but it stood out to me as a point of unnecessary disunity.
Ultimately though, I thought Quinto's Spock was fantastic. He enabled you to become invested in the character very quickly, and he brought you along for the… yes, emotional ride through the rest of the movie.
The supporting cast was also varying degrees of good.
Karl Urban's doctor was good, but I felt that he was trying too hard to imitate the wonderful DeForest Kelley. I also felt that the writers did him a disservice by restricting his dialogue almost exclusively (I felt) to classic "Bones" catch-phrases. Dixon over at Shelfbound considered that this may simply be the way McCoy talks, which is an interesting thought, but one I don't necessarily agree with. McCoy (the "real" McCoy, you might say buh-doom-tsh!) had plenty of aphorisms and metaphors to go around, but his dialogue was never so heavy with catch-phrases. Ultimately, it's forgivable, but it was irksome.
As an aside, I absolutely adored the way they introduced McCoy's nickname. It was a bit awkward, perhaps, but I loved it.
Simon Pegg as Scotty was a real treat. The character was fun, and lively, and seemed to come off as both brilliant and moronic at the same time. I like Pegg, he's fun. Unfortunately, I never believed he was Scotty. Doohan's Scotty was brilliant but subdued, earthy but not offensive, and excitable but responsible. Pegg's Scotty was mystified, frenetic, and frequently out-of-his-depth. Also unfortunately, Scotty didn't get enough good screen-time to further establish the character. Perhaps there's more to him than this situation allowed to come through.
Uhura was good. Her character had strength, conviction, self-confidence, and power. It is a testament to the actress (and the writers as well) that they were able to establish this, because she was woefully lacking many really meaty scenes.
Sulu was also good, and I felt he fared a bit better than Uhura, scene-wise. He didn't try (unlike Urban) to mimic his predecessor, but inhabited the character he was given. I don't think that I ever really felt he was Sulu, but rather that he was some entirely separate character.
The Christopher Pike character was really great. I felt he got shortchanged in the leadership department in a few spots, but that ties into some movie-wide problems and more potential spoilage. Still, I really liked this character.
Finally, we get to Checkov. What to say… I did really enjoy his introductory moments in the movie, but ultimately I found his character to be very annoying. I also felt that this character was the farthest from the original source material. I won't go so far as to say I didn't like the new Checkov—because he was entertaining, to a point—but he's just not Checkov. However, maybe he is just another casualty of the way the characters were generally over-played. If he'd been more subdued, perhaps he would have fit perfectly. Who knows?
Well, I said "finally, we get to Checkov," but really, the Enterprise is the last (or first?) major character in the Original Series, and we should talk about her as well.
I really liked the new Starfleet ship exteriors, and felt they were true enough to the original. The bridge, on the other hand, was a different story. The old bridge was spacious, and austere but powerful, and it felt comfortable and open. This new bridge was bright, flashy, and claustrophobic. So much of the old Star Trek took place on the bridge—perhaps this is an indicator that the bridge will no longer be the central story-telling vantage point. It will be interesting to see how it plays out in future movies.
At last, we get to the story itself. As I mentioned, it was enjoyable and exciting. Unfortunately, I felt it was also, like most of the rest of the movie, a bit over-blown. It was as if they tried to make every single moment just as tense and dramatic as possible—tried to give the story as much weight as it could possibly carry. The good thing is that it delivered. The question is, is that a good thing? Personally, I prefer my Star Trek a little more cerebral, and a little less "wagon train." Maybe that's the Next Gen era initiate in me, I dunno. I just think there's a line between sci-fi action/thriller and sci-fi action/drama that this movie played too often on the wrong side of.
At this point, I'm not sure how much more i can say without really getting into specifics of plot. I definitely have more thoughts on specific aspects of the movie, and also generally about what it means that we now have this New old generation of characters.
As I've mentioned in other venues, to other people, I loved it, but I also hated it.
My favorite view is at the other end of the garden, in the grassy space up above the gates, looking out into the courtyard with the Obelisque and the fountain(s?). From here, you get a great view of the Eiffel Tower to the left across the Seine, and of the Obelisque and Arc de Triomphe up the Champs Elysees to the right. My favorite spot in all of Paris is that spot, if you go up the ramp (the left ramp if you're walking towards the gates at the end of the garden) you get that great view I mentioned.
Finally, and especially if doing a lot of walking, the picture I attached is of the book my sister relied on during her five+ years there. Any Plan de Paris should work, I imagine, and there seem to be a few pocket-sized versions around, but this one worked very well for me.